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  1. 2 points
    Lyrics 1. We gather together to ask the Lord’s blessing; He chastens and hastens his will to make known; the wicked oppressing now cease from distressing. Sing praises to his name; he forgets not his own. 2. Beside us to guide us, our God with us joining, ordaining, maintaining his kingdom divine; so from the beginning the fight we were winning; thou, Lord, wast at our side; all glory be thine! 3. We all do extol thee, thou leader triumphant, and pray that thou still our defender wilt be. Let thy congregation escape tribulation; thy name be ever praised! O Lord, make us free! "We Gather Together" is a Christian hymn of Dutch origin written in 1597 by Adrianus Valerius as "Wilt heden nu treden" to celebrate the Dutch victory over Spanish forces in the Battle of Turnhout. It was originally set to a Dutch folk tune. In the United States, it is popularly associated with Thanksgiving Day and is often sung at family meals and at religious services on that day. We Gather Together2.pdf We Gather Together - Bass.pdf We Gather Together - Melody and Bass.mid
  2. 2 points
    How To Become A Better Dulcimer Player - 20 Embellishments and Other Tips Embellishments should be used sparingly. To many of them will spoil your song. The following thoughts are just that - my thoughts. If they work for you, great. The following suggested thoughts will be applicable to solo play and/or group play. They are not written in stone. 1. Hammer-ons and pull-offs. To be used sparingly throughout solo play. Yes, you can use them in group play; however, they will get lost by the sound of the other players. 2. Dynamics - These are very underused techniques that will add a lot of color to either solo or group play. Do you want your audience to have to “strain’ to hear you? Play a phrase of your song softly. Do you want to emphasize a phrase or measure in your song? Play louder. 3. Note emphasis - To be consistent when playing in 4/4 time, the emphasis is on the 1st. And 3rd note. In ¾ time, the emphasis is on the 1st note. In 6/8 time the emphasis is on the 1st and 4th note. 4. Playing speed - If you are not practicing with a metronome, you should be. Can’t afford one? There are many free digital metronomes available on the Internet for your computer, tablet, or smart phone. As I see it, one of the biggest problems in group play is that when someone speeds up, the rest of the group do the same. A better solution would be to stop the play and start all over. Many players do not listen to the player on their right, left, or where ever and consequently start speeding up. One possible solution to this problem is when in group play, the person calling the song tells the other players how many measures they are going to use as a lead-in to the song. The other players can then follow along until they are supposed to join in to the play. The caller sets the playing speed. If you are playing a gig, your strongest player in that group should be the lead-in player and he/she will announce to the other players how many measures they will use to lead-in. This can be done verbally or by the use of raised fingers that all can see. That way, everyone will know when to join in and at what speed. Play a recognizable phrase from the song to tantalize or tease your audience. 5. If you are going to play songs that require the use of a capo, play those songs at the end of your gig. Once everyone has put on their capos and are sure of the tuning, you can finish your session without having to retune your instrument.   6. Finger picking and flat picking - Both are best suited for solo play. Slow songs such as ballads or slow waltzes, songs that you want to be heard softly are best played with the fingers. Flat picking is done with your pick and will give more volume to your play especially when arpeggiating a chord. Finger picking is much easier than flat picking. These thoughts are my own and they will work. If something else works for you, go for it?  
  3. 1 point
    The First Noel.pdf The First Noel.mid
  4. 1 point
    0:51 Now playing Watch later Watch later Add to queue Add to queue 0:43 Now playing Watch later Watch later Add to queue Add to queue 0:29 Now playing Watch later Watch later Add to queue Add to queue DBGChromaticChordChart1To7.docx
  5. 1 point
    A traditional Irish jig. Emphasis on the first and fourth notes. The Road To Lisdoonvarna.pdf The Road To Lisdoonvarna.mid
  6. 1 point
    You're welcome. When you've been messing about with dulcimers as long as I have, paying forward to folks is just what I do.
  7. 1 point
    As you can see in the picture below, ball-end strings (top) have a brass "ball" in the end. Loop-end strings have a twisted loop. Those of us who build instruments never use Gorilla glue -- it expands and has a tendency to open cracks. Likwise we seldom, if ever use epoxy. For hairline cracks which can be opened by pressing on one side or the other of a crack, we us a cyanoacrylate (Super) glue. For cracks which need filling, we use a mixture of fine sawdust and Titebond or Titebon II, I often run a bead of the glue into such a crack and then sprinkle sawdust on top,. Then press the mixture into the crack and clean off the excess with a damp paper towel.
  8. 1 point
    This is a hymn from the middle 1800's. The key to the song is the dotted quarter notes, followed by eighth notes. I Love To Tell The Story.pdf I Love To Tell The Story.mid
  9. 1 point
    1. Don't recognize the maker, but the design, with the pins in the side blocks, is NOT common. 2. Those ARE loop end strings. They start on one side, cross over the top, around a pin on the far side, then back to the start. What gauges? You'll need a micrometer to measure that. You'll also want to know the length of the longest string -- from loop end across to the pin and back. Where? Folkcraft may be able to help. I buy most of my strings from www.juststrings.com; but then I know exactly what I want. 3. Yes that crack in the pin line is "worrisome". Those holes probably should be re-drilled lower and new pins hammered in. At least the cracks should be filled with one of the more gel-like super glues, which should stop movement and tighten things up a hair.
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