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EverythingDulcimer

Byll

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Byll last won the day on December 8 2021

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  1. Hi, Ken. I personally know of no hammer dulcimer forums that are not connected to social media, such as Facebook. I do not intend to go down that slippery slope. I did note that on this forum, there seem to be more individuals interested in the mountain dulcimer, than in the hammer dulcimer. I have heard of a HD with no back, and may have seen one at a festival or two, back in storied times, but I have never looked one over carefully, and have never heard one played. As the resonant box is a very definite part of an HD's sound signature, I find it hard to imagine an HD that has no back. I also wonder about the volume of the instrument. A 14/13 is a relatively small hammer dulcimer, which makes me wonder even more about the no back issue. How did you fix the tuning pin issue, so that the note in questions would hold pitch? Drill...insert glued dowel...Drill again? I envy you your woodworking abilities, Ken. My interests and capabilities never went in that direction.
  2. I retired from Middle School, High School, and University teaching, before FaceBook and its cohorts invaded the on-line universe. I am thankful for that timing... I think your analysis of the situation is cogent, and I also think that other issues are probably involved. I know nothing concerning the politics of 'some anonymous someone' purchasing, and then recycling the original EverythingDulcimer ideas/material. I am simply interested in being able to communicate with like-minded and interested individuals, concerning these marvelous folk instruments. Something is wrong or missing, here, and I cannot figure what it is. I have seen too many instances of an interested person asking an intelligent question, having someone continue the conversation by answering, and never again hearing from the original questioner. They simply exit the scene. I do not find this forum particularly easy to use. And the lack of interested individuals providing new subjects and discussion points has not made me feel interested enough to attempt to learn the ins and outs of the software. Mea Culpa. Anyway, NoterMan, you and I perform on related, but very different instruments. I wish subjects would show up, that brought the two together, rather than having them exist in their own world. I wish the forum success. If you, or others figure out a plan to help move this endeavor forward, please count me interested.
  3. Hi, Ken. Yep. I remember now, that is was a Presbyterian church in which we were performing. That was a whole lot of years ago. I do not remember, that we had an autoharp in the group at that time, so the remuneration probably either came from the church itself, or one of its parishioners. Different subject, Ken: What can be done to get more interest shown in this web site? I check it every day, but honestly, I have not personally seen any change for weeks and weeks. I note that often there are posts answered, but then the original poster kind of disappears. Be well, Ken. Bill
  4. Take Two: Hello, LimeyDog: What is left of my mind still wonders if you ever purchased a hammer dulcimer. If so, what brand and model did you choose? There are a lot of fine instruments out there...
  5. Welcome Hydergal: From your post, I must assume you are being sent a mountain dulcimer, and not a hammer dulcimer. The Mojave desert is rather dry, and SE Alaska is the opposite. This change can be tough on wooden instruments... I suggest that when it arrives, you allow it to acclimate to its new environment for a few days, before you do any drastic tuning work. Moving slowly, if there is a need for serious changes, is better than changing the pitches relatively quickly. A relative humidity of 45 - 50% is very friendly for our wooden instruments, and you may find that your SE Alaska rainforest humidity is much greater that that range, already. instruments can survive quite nicely with greater or less humidity, but being stored in a relatively comfortable environment, means long-run safety for most wooden instruments,, and less time spent tuning. You might consider Investing in a small humidifier or dehumidifier as needed, as it will help with the instrument's health over time. DeVoit makes excellent devices, at a fair price. In-case humidifiers can be used, but one must be careful, as they have been known to damage the finish of some instruments. My best to you in your endeavor.
  6. Ken: A lifetime, and 3 double-hammer dulcimer bands ago - maybe in the 1990s, my band at that time, performed a concert at a church, pretty far away from our Lancaster County, PA. I remember it was a relatively long trip to get there... I also remember that the concert coordinator mentioned that Dr. George Orthey, of mountain dulcimer, auto-harp, etc. fame, lived in the house we could see from the front of the church. I seem to remember much land surrounding the home, but I could be wrong. It was hoped that George would possibly attend our concert, as he was known to do, but part of me remembers meeting him, and another part says it was an unfulfilled 'wish.' Ah, memories...
  7. We create a new set list for every concert. In pre-pandemic days of yore, we were constantly creating songs, tunes, sets of tunes, etc. Not being able to actually be together often in our 'rehearsal emporium,' has thrown a rather large monkey-wrench into our creative flow. Heh. We do have 3 rehearsals scheduled for this month - again trying to return to some semblance of normalcy - and much time will be spent on our upcoming concert, plus attempting to recover some of our larger repertoire, and put it in the 'ready for concert' file, again. Yes, I suspect that your comments concerning social media are spot on. I have never taken the Facebook plunge. I am blessed with wonderful friends and family. Never saw the need for... uh... volume of contacts. Our band performs a recent novelty song by John McCutcheon, called CONTROL. Our arrangement uses back-ground vocals, and adds instruments, but the basic message remains John's. He speaks truth concerning his take on Facebook, in his last verse... Check it out, on YouTube. In the band, I also play Irish whistle in multiple keys, both bass and alto melodion, and sing... We all sing lead and backup... There is an international Whistle Board out there, called Chiff and Fipple. It has existed for quite some time. It somehow has survived the Facebook onslaught. I wish I knew their secret.
  8. It amuses me, NoterMan... looking at your post of a few weeks ago (sorry for the hiatus). I realize that all of the spaces that you suggest, in which my band might practice, we have actually either rehearsed in (very large meeting room in a commercial builder's office suite), or performed in, over the years. Folk music concerts often have some odd venues... We are not strangers to performing in a variety of venues, as I shared above. I think what I am after are ideas and suggestions, concerning how to keep our existing music fresh, keep the band's energy up to arrange new music, how to rehearse safely, etc., in times when concerts and performing in general, are again being crushed. I suppose it is possible that what I am looking for, may not be able to be found, at the moment. Wow. Talk about a 'first world' problem... Again, our hopes rise a bit, as - in our area - the surge is slowing down. I fear that I am not as trusting and optimistic as I once was... An issue that may somehow be related to our band's challenges: I would love to see the new Everything Dulcimer be a success. Those that post from time to time have interest, knowledge, and enthusiasm - 3 characteristics needed for this site to succeed. However, I have noted what seems to be a dearth of interest in hammer dulcimer issues specifically, of late. I wish I had a modus operandi that could assist, to help rectify that situation.
  9. Thanks, NoterMan. Your ideas concerning rehearsing outdoors are not something we have tried. That methodology cannot be done now, in Pennsylvania, because of frigid temps and snow. I would complain about how hot our summer sun is, but that would be laughable to you, living in Florida. But your idea is definitely something to think about. We perform in lots of Celtic and other festivals, schools, retirement communities, church secular concert series, libraries, park concert series, arts' centers, historical societies, City First Nights, etc. It is not surprising that so many of those venues shut down because of C19. A sound system is a necessity for us. We would love to perform acoustically, but it is not really possible. With the many instruments we have onstage, our footprint is quite large, for the four of us. We do a lot of close vocal harmonies, and we absolutely need to be able to hear each other. No way can that happen, acoustically. We are attempting to work toward in-ear monitoring (IEM), but stage monitors are still the name of the game. My biggest concern, is that venues may shut down again, for any number of reasons, including of course, for safety reasons. it took so much hard work for us to come back to a musical unity, which allowed us to return to the stage. Thinking of repeating that exercise, is not pleasant... Like you, except for me, we are not full time musicians. One of us is a stay-at-home mom, one is the office manager for a large home and commercial building company, and one is a more than full time medical doctor. All of us are products of previous bands, including those of us who have worked with each other before. I am blessed to be on stage with 2 of my previous Junior and Senior High School students, from a whole lot of years ago. We range in age from early 30s, through 60s, to mid 70s, with me filling that last age slot. The beat goes on, Sir. Thank you for a good idea. I hope I hear a few more...
  10. The site has been rather slow of late. So, I figure I will attempt to get some input on a dulcimer-related subject. Our band contains 4 on-stage performers, a sound engineer, accountant, webmaster, and den mother. We normally have around 15 instruments on stage, during concerts. We all play multiple instruments and sing lead and backing vocals. Right in the middle of the stage area, are our two hammer dulcimers. The band is not a hammer dulcimer band, but the hammer dulcimers certainly are a very large part of our persona. In 2019/2020, medical issues and then the rise of C19 played havoc with our band and its venues. As the medical issues began to straighten out, C19 accelerated... We lost quite a large number of concerts, and also could not get together safely to rehearse our songs, tunes, sets, new material, etc. During this time period, we lost our sound engineer - quite a loss, both personally and professionally, for the band. We began lot of rehearsing again, in early 2021, as venues again opened up, and we signed concerts. We worked so hard, to attempt to get back to a respectable enough musical posture, to go on stage, again. August, 2021, we performed at a large outdoor natural bowl, with a new sound engineer and a large crowd. All was well. A number of successful concerts later, and we are again pushing up against venues closing down, family illness in band members' lives, etc. We have many concerts scheduled during 2022, and it is rather disconcerting to see where this all may be heading... again. Our band is beginning its 9th year together, and we want to continue. Do any of you out there have established performing groups that have been affected by the state of the pandemic, and the effects it has caused to occur, in the live music performance world ? I am interested to learn how you are faring, and to learn any hints and suggestions you may have for us - and for other performing groups.
  11. I arranged Silent Night for solo hammer dulcimer, for Dulcimer Players News, so many years ago. My first band, Gladly Play Wyth Stryngs, used the simple single-HD arrangement as the last selection on our 2001 Christmas CD, Glad Tydings. Attached below are a PDF of the arrangement, and a sound file of it, from the CD. My best to you all. 16 Silent Night.m4a
  12. 'The HD will play chords, for accompaniment and in some cases you can play your own harmony and melody. I am still trying to find out how the chords are played with a melody, since a three beat chord and a 1/4 note for the melody would have to be reduced to 1/16 for the 4 notes, and I don't think this is correct.' Nathina: Since standard major and minor chords have a root, 3rd and fifth, harmonizing while playing a melody boils down to understanding which notes in that chord are necessary to identify the chord musically, and then knowing, rhythmically, where to place those notes, while possibly accenting the melody a bit. I did a simple arrangement of Silent Night a lot of years ago, for a Christmas edition of Dulcimer Players News. My band wanted to end our Christmas album with it in 2001, and we recorded it. It is an example of my explanation, above. There are more tricks to harmonizing - valley rolls, pre and post harmonies for notes to be played, and already played, etc. A teacher who does solo and performance work, could help you with your gaining the proper knowledge. I wish I had a way of sending to you that Silent Night, or the whole disc. We used two hammer dulcimers, bass, and violin. Easiest way, would be an email attachment. I do not think I can attach such things within this board. I cannot find how to PM on this board. If you have a suggestion, please let me know.
  13. LimeyDog: Did you ever purchase a hammer dulcimer from a competent maker? If so, what brand did you choose?
  14. Yep. You are correct, Sir. I too, added to that thread. I suppose it is just one of the the things that the owner/moderator will attend to, as time goes oh. Hopefully...
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